Hair loss and style: three outfits to build on

Hair loss and style: three outfits to build on

Published Updated

“Wear a nice jacket.” Thanks for narrowing it down.

Which jacket, over what, and where are you going? As your hair becomes less prominent, the clothes around your face deserve more thought than a stock wardrobe tip.

Here are three outfits to build from clothes you already enjoy wearing. Each includes trousers and shoes: the bathroom mirror tends to stop a little early. They offer starting points for thinning hair, a close crop or a shaved head. You decide what should catch the eye.

1. An open shirt and an overshirt

Illustrated outfit: a pale shirt under an open navy overshirt, dark straight-leg jeans and off-white sneakers.
  1. Two collars, one clear opening.
  2. Straight-leg jeans carry the line down to the sneakers.

Pale shirt, navy overshirt, dark straight-leg jeans and off-white sneakers. The contrast is concentrated around the collar. Illustration.

A pale shirt, an open navy overshirt, dark straight-leg jeans and ecru trainers. I would start with this combination for a day without a set dress code. The overshirt’s edges frame the shirt; the opening leaves the neck visible. The light and dark layers give the upper half enough definition.

Undo the shirt’s top button, then look at both collars. If their points are fighting for the same space, swap the shirt for a T-shirt. Clothes can cooperate perfectly well without a collar committee.

A matte cloth or a little woven texture already gives you a detail to look at. With a full beard, I would save patterns for another combination. Check that the beard has room above the neckline; our four shaved-head and beard options examine its different volumes.

The useful check: put your hands in your pockets, then sit down. See whether the open fronts still sit where you like them. Try fastening the overshirt, too: you may prefer the more continuous block of colour.

2. A fine-knit polo

Illustrated outfit: a brown fine-knit polo, beige trousers and brown shoes.
  1. The collar sets the first point of interest.
  2. Three related tones, without an extra layer.

Brown polo, beige trousers, brown shoes. A close tonal palette lets the collar and knit stand out. Illustration.

A brown polo, beige trousers and brown shoes: a restrained palette that I prefer here to a stack of contrasts. Use the pieces already in your wardrobe, even if the shades differ. The idea is to look first at the collar and the way the knit falls.

With bold frames, a plain polo lets your glasses lead. A textured knit can become the main detail with light frames or no glasses. To compare the effect, keep the same trousers and change only the polo.

Check the placket: does it lie flat or pull apart? Look at the fabric when you sit down, too. If it pulls somewhere that bothers you, try another size or cut. An outfit intended for a day at a desk needs to cope with a chair.

The useful check: compare the collar with one button open and then closed, keeping everything else the same. With a shaved head, I like that choice to look deliberate. A closed collar is a complete option, with no correction required.

3. A soft jacket and a crew neck

Illustrated outfit: an open soft grey blazer over a charcoal crew-neck T-shirt, black trousers and dark shoes.
  1. The crew neck keeps the line simple.
  2. The lapels shape the upper half without a tie.

Soft grey blazer, charcoal T-shirt, black trousers and dark shoes. The lapels provide the shape. Illustration.

A lightly structured grey jacket, a charcoal T-shirt, black trousers and dark shoes: the combination stays quiet while the lapels draw the outline. For a lighter version, try a brown jacket and an ecru knit with the beige trousers from the previous outfit.

The crew neck keeps a simple line near the face. Look at the space between your neck and the T-shirt’s edge: a neckline you like on its own can look different between lapels. I prefer to start with one that holds its shape, then assess the combination with the jacket open.

Check the sleeves and the top of the shoulders without applying one seam rule to every jacket. A soft cut may be deliberately loose. If you keep having to tug at the jacket to recover the shape you liked in the mirror, though, try another cut.

The useful check: put the jacket on over the actual top you will wear beneath it. Reach forwards as if holding a steering wheel, then let your arms fall back. An appealing colour will not make up for a jacket you cannot move comfortably in.

Choose what leads the outfit

Bold frames, a full beard, a patterned shirt or a heavily textured jacket can each take the lead. If the combination feels too busy near your face, change one competing detail: try a plain top, open the collar or swap the outer layer. Keep your usual glasses if they are part of your signature.

If you enjoy several strong details together, try them. Starting with one main element helps you understand an outfit; it is no reason to hand out bans. To distinguish the effect of your beard from that of your clothes, return to the pointers on head shape.

Keep a complete outfit on record

When a combination works for you, take a full-length picture and note:

  • Where you will wear it: work, an evening out, the weekend or another occasion.
  • The exact pieces: top, outer layer if any, trousers and shoes.
  • The main detail: collar, texture, glasses or beard.
  • What needs attention: sleeve length, a collar to reposition or another cut to try.
  • What is actually missing: one identified piece, or nothing.

If the haircut itself is still the question, Gabriel covers making the move to a shaved head. For your wardrobe, keep the picture of the outfit you want to wear again tomorrow. It will be more useful on your next shopping trip than a list of ten “essentials”.